I loves me some Kylie Minogue. Which is weird because recently my musical tastes have been running far, far away from dance-pop music (yay folk-country-roots!). But no matter what may change in regards to my current musical inclinations, you throw on some Kylie and I turn into a squealing sparkleberry of girlish delight.
*starts listening to All The Lovers*
Anywhoseywhatsits, with the release of "Aphrodite", her 11th studio album and my current obsession, I thought I'd take a look back over her more recent albums and offer up my unsolicited and assinine thoughts!
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Impossible Princess- released 1997
Lead single- Some Kind Of Bliss
http://www.youtube.com/watch?v=tdfP9c2NBYA
* not gonna lie, this is easily one of my least favourite songs by her. Mostly because it's so out of sorts with everything else she's done. I can recognize the fact that by choosing this as the first single she was clearly announcing that we're in for something different with this album, but the song is bland and IMO tries too hard to be "un-Kylie". Furthermore, while Kylie isn't known for having the strongest vocal chops, this is one of the only songs I can think of where that actually becomes a detriment to the song. This begins Kylie's track record of choosing really whackadoo lead singles- just you wait!
Title track- Dreams
http://www.youtube.com/watch?v=VAI6olJmLQc
* a title track only in the sense that it contains the line "these are the dreams of an impossible princess". I often look to the title track of any album to be the defining mission statement of any album, and so I look to this one as such. I find this song very interesting. The sound is very dramatic and ominous, with loads of electric guitars thrown up against violins. The lyrics match that battle between different sounds in that they refelct a woman struggling with desires one way or another. The song reads as a woman entering maturity, having difficulty deciding what she wants in life. That confusion and desire to have it all is very reflective of the incohesiveness of the album as a whole and the mish-mash of styles that went into it.
Final thoughts: A different album, certainly. It stands out as her most unique and ambitious album by far, but one can't help but wonder if Kylie just isn't cut out for sonically adventurous type music. The choice to feature "natural" instruments like drums, guitars, and such more prominently than, say keyboards and other such electronics make for a interesting and, again, un-Kylie sound. That being said, there are some fantastic tracks on this. From the sexy synth of "Breathe", to the bratty pop of "Did It Again" (the video is one of my faves, self-aware but not narcissistic: http://www.youtube.com/watch?v=EM5jhxK1Gu0 ), the punky breeziness of "I Don't Need Anyone" and Eastern-inflected "Limbo", this is definitely a listenable album. You just need to recalibrate your expectations of what a Kylie Album is and listen accordingly.
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Light Years- released 2000
Lead Single- Spinning Around
http://www.youtube.com/watch?v=SH4_qANEJy8
*Remember what I said about jank lead singles? Ignore that for a moment. This has got to be one of the greatest lead singles ever. Launches out of the gate with a declaration of "I'm spinning around, move out of my way" Kylie returns to her dance pop roots from the strangeness of Impossible Princess. Proclaimed her comeback song (the poor woman has suffered the "comeback song!" curse many times), this song is bright, assertive, irresistible and fun. Even now, 10 years later, if you want to put on your headphones and strut like a woman in charge, this is the go-to song. It's no surprise that this song got the album off to a great start.
Title Track- Light Years
http://www.youtube.com/watch?v=y7WPhqTGA8U
*A fuckin' weird song, but since it closes this album, by this point you are either riding high on the Kylie wave or you are so full of cheese that you feel like a Pizza Pocket. In it Kylie assumes the role of intergalactic flight attendant, taking the listener on a trip to, I dunno, aural fantasy? It's spaced out, sparse and features a spoken interlude where Kylie does a safety anouncement directing listeners to the emergency exits. If this is the Mission Statement of the album, one can only assume that Kylie is saying "hey, I'm gonna take you on a voyage to fun and fanciful places. Come along!". I dig it.
Final Thoughts: Holy crap, this is a jaunty album. There is "summer album" and then there is this. I can see how it would be easy to dismiss this album as piffle, even braindead. But frankly, sometimes you just want to put on an album you know will a)put a smile on your face and b)a tap in your toe. A lot of the songs may be silly ("Koocachoo", "Your Disco Needs You" - did they all just sing ASS?) but I love it. After Impossible Princess I can understand her desire to do what she does best: bright, danceable, pop perfection. "Butterfly" remains one of my favourite songs by her. There's a line in "Kids" that really sums it up: "and we'll paint by numbers 'til something sticks, I don't mind doing it for the kids". She knows she isn't breaking any new ground, or blowing anyone's minds. She's doing it for the people who want it, and that's fine by her (and me!)
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Fever- released 2002
Lead Single- Can't Get You Out Of My Head
http://www.youtube.com/watch?v=IFx3WX4DES0&feature=related
* Sing it with me folks : "la la la, la la la laa laaa"! Don't act like you don't know this song, and don't act like it didn't rule your brain for weeks after it came out. Now I'm gonna say something shocking here: in theory, as a lead single, she was bonkers to use it. It's weird, stuttery, almost overly simple, and compared to some other songs, it should never have been the lead. Second, third single, maybe. In practice, it was (and still is) one of the greatest pop songs ever recorded. You listen to this song once or twice and it is lodged in your brain like a hungry tick, until you are sitting at your desk humming the "la la laa"s without even realizing it. Even the video is kind of whackadoo (here begins her practice of making dancers do weird ass things), but nothing can compare to her white, one piece, hooded dress thingy. I'm a homosaurus rex and even I was like "DAYYYUMMM!" when I saw her in it. It was this song which made me into a Kylie fan (I was still unaware of anything before this except for "Locomotion").
Title Track- Fever
http://www.youtube.com/watch?v=eUsr8kuf5-I
*What the crap? I love this song, but really Kylie, you have come down with a case of lovesickness fever and you need a doctor to heal you? I have tried to figure out how this song could work as a Mission Statement, but it really doesn't work. Unless it is to say that dancing is the cure to what ails you, and this album is meant to fix you? A weird little song, very disposable.
Final Thoughts- Oh Fever, how I love you. This was the first album I owned of hers, and so I always look to this as the yardstick by which I measure her other releases- how do they compare to Fever? The album is a slice of euro-pop wonder, and is one of those rare albums where you listen from front to back and everything is solid. Standouts are "In Your Eyes" (easily one of the top 3 best songs she's done), "Love At First Sight", "Love Affair"...oh hell, everything rocks my socks. What I love best about this is that it takes the joy and bounce of Light Years and strips away a lot of the silliness that rendered it a bit (ok, a lot) cheesy. Really, for anyone looking to get into Kylie, this is where you start.
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Body Language- released 2004
Lead Single- Slow
http://www.youtube.com/watch?v=XNFe7XSt6os
* As a lead single, this is a total fail for me. There's no hook, nothing that bites into me and says "LISTEN TO MEEEEEEEE!". Yes, it's sexy and seductive and she lays on the breathy vocals like she's dying of tuberculosis but it's too joyless and calculated (and therein lies a major problem I have with the rest of the album.). I like my Kylie poppy and fun, and I can certainly allow for her to try out different things, but this took away her soul, for me.
Title Track- Slow
* Again, this counts as the title track only in the sense that she says "body language" in it. As a Mission Statement, it makes it very clear that she's going to try to ply you with her slinky, electro charms. It also displays that her dancey, hooky fun is out the window in favour of cold, calculated synth. *sad face*
Final Thoughts- I will give credit where credit is due, there are some good songs. I like "Secret (Take You Home)", "Chocolate" (where she does slinky/sexy correctly), "Loving Days", but on the whole I just never got into this album. I always get the feeling that this was her attempt to become more mainstream by ditching the bubbly charm that always kept her on the outs with "serious" listeners in favour of r&b sounds and inoffensive electro. If Kylie has gone through many different incarnations, this was 'Serious Kylie', and I'm not feeling it.
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X- released 2007
Lead Single- 2 Hearts
http://www.youtube.com/watch?v=0try34LV68g
* Let me be clear: I fucking ADORE this song. That out there? Y'all get that? Ok good. Now then, WORST LEAD SINGLE OF LIFE. Suddenly Kylie becomes glam-pop-rock queen? It makes no sense. By leading off an album with a style so unlike typical Kylie, I feel like she alienated a lot of potential new listeners who were so blatantly confused by the shift in style. X was supposed to be (another) her comeback album and this likely ruined the chance of that; people just didn't know what the hell was going on. As for the musical worth of this song, it's a smash. Handclaps, jaunty "woooo!"s, slamming piano, and a more organic sound make for one of her most unique songs. Granted it's all a sound that we don't really hear again on the album but you have to love it anyways.
Title Track- umm, there isn't one.
* X was always meant to refer to the fact that it was her 10th album. In a way, that highlights a failing of this album: it has no clear Mission Statement, no throughline to make a cohesive album. More on that...
Final Thoughts- ...right now. X is a solid collection of songs, no doubt about it. When it came out it was just about the only thing I had the ability to listen to! But recently I've been reading some reviews of it that were all united on the fact that it's just not a great album. The Kylie fanboy in me screamed "NO YOU ARE WRONG! IT'S AMAZING! GRRRAAAWWWWRRRR!!!" but I thought I should take an objective view at it and yeah, as an album it's a bit weak. The awesome songs are there, they just don't all fit together. She plays style hopscotch like she did in Impossible Princess and once again the results are a bit discordant and confused. I still love a great many of the songs here, "In My Arms", "Wow", "All I See", "Speakerphone", and more, but they're better served as individual listens that a straight, front to back listen.
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Aphrodite- released 2010
Lead Single- All The Lovers
http://www.youtube.com/watch?v=cW1W_9IqskY
* Oh holy hell, I need to compose myself. We go from "2 Hearts" as the worst lead single of life to this, the best. When I first heard this song it became my life goal to listen to it on repeat until my ears dropped off from overload. Much like "Spinning Around", she lays it all out in the first line: 'dance, it's all I wanna do so baby dance'. Nice and clear of her, innit? What follows is a euphoric, propulsive, emminently danceable, lyrically unabashed celebration of love and dance. What really sells it for me is that it, for me, is the ultimate alchemy of joyful pop Kylie with a current, 'grown up' sound. It's the kind of song that should rightly convert the critics. The best bit happens after the slowdown that follows the second chorus. Her voice fades away, blippy percussion skitters along for a handful of beats and then BAM! Drums and the kind of kind of blissful synth that makes you want to raise your arms and sway bursts out. Gives me shivers almost every time. Bonus points go to the video for being such a (scantily clad) blast :D
Title Track- Aphrodite
(there are no versions of this on youtube *sad face*)
* If you want a Mission Statement, you've got it. Backed by a stompy, military sound Kylie makes it very clear that she is back to rock your world and she's doing it better than others can do it. It's a bit of a departure for her, because she's always been the kind to do her own thing, oblivious to others. Yet here she is saying she's pop-queen shit and all y'all others better recognize. It's a new incarnation, "Dominant Kylie" and it fits her like a glove. A little ego, a little bragging, it's all good. I can see this becoming a HUGE hit with gays and single, sassy women everywhere. WERK!
Final Thoughts- Again it seemed like Kylie needed a comeback album, something to put her in the spotlight and really let her explode. If Light Years did it for her in the 00's, then Aphrodite is definitely it for the 10's. She's at her best making pop music to put you on the dancefloor and boy howdy she doesn't disappoint. There are a couple hiccups, admittedly, like "Illusion" and "Looking For An Angel", but they don't detract all that much. The one-two punch of "All The Lovers" followed by "Get Outta My Way" (just TRY listening to this while you are walking without power strutting) are enough to to make this album a classic, but there are bright spots like "Cupid Boy", "Better Than Today", "Closer", "Can't Beat This Feeling" and more. It is no surprise that it is already shaping up to be her most successful album, critically and commercially, since Fever (which was, in fact, slagged a bit critically), hitting #1 in several European countries as well as debuting higher than any album she's released in the US.
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FINAL NOTE- Albeit not official studio albums, it should be metioned that she also has a couple live albums that are essential listening. Defying expectations of typical pop stars, betch can sing live! Her live shows are fantastic and she has a keen knack of reworking older songs to make them really special, like "Locomotion" (http://www.youtube.com/watch?v=1z-cjxaZNiw ). I would absolutely recommend Showgirl: Homecoming (her return to the stage after finishing treatment for cancer). SO GOOD!
Friday, July 16, 2010
Wednesday, July 7, 2010
I have a dream...and it is odd. CHICKEN!!
I am going to try to describe my dream from last night and try to describe it well, but details are already getting a little hazy, so I will do my best.
I was in a massive cafeteria, such as you might find in a university or a hospital. People everywhere. Me being me, I was hungry, and decided to go to KFC. Yay for no lineups! I get up to the counter, order myself a 10 piece chicken meal, because I have never eaten apparently.
TWIST! I'm short on money. I need two more dollars. That's when random attractive stranger wearing a suit appears and offers to pay the rest. My hero! He's cute too. Shaggy but well controlled dark hair, tall, baby faced. *nom*
We get to chatting (no idea what about) and we decide that he's going to join me for lunch. I have a lot of chicken after all! But then my phone rings and it's Macy Gray who needs me to come get her from the beach. BAD TIMING!!
What I end up doing is I leave the box of chicken with Rando (he never gets a name) and make him promise not to leave the cafeteria. I drive off to the beach, pick up Macy Gray, and drive back. Once we get out of the car she starts walking away, but in my dream she has monstrously long legs, so to keep up I have to run after her. We soon part ways.
I get back into the cafeteria and lo and behold, Rando is not to be found. MAMA NEEDS HIS CHICKEN! Cue entrance of Marie who just appears out of nowhere, and we try to find him. She comes up with the plan that if one of us starts to shout "CHICKEN!?" then he'll know to respond with "CHICKEN!!" and we'll find him. So suddenly there's the two of us yelling "CHICKEN?!" at the top of our lungs, followed by a distant shout of "CHICKEN!!".
Eventually we find him hidden around a corner at a table for him and I, and he has now changed into casual clothes. Marie totally disappears from the dream (sorry luv!) at this point. Your influence will soon be felt again though, don't worry! I suppose we must eat the food and chat, but I don't think any of this took place in my dream because suddenly we're into a musical interlude as if we were in Glee and he's singing a song that in the real world I'm faaaaaairly sure doesn't exist, but in Dream World I was sure was sung by Daughtry (there you are again Marie). I don't know if the song was supposed to be about what he was feeling at the moment or if it was about me, but he was singing and dancing alone in a totally black room doing some inexplicably high kicks while hitting the notes (the best way to descibe his kicks are like when the Cullens are playing baseball in the first Twilight movie, and Alice is pitching. Every time she throws the ball she does this weird kick, and that's what dream guy was doing. Because why not?)
That's where the dream ends, because I rolled over in my sleep and pissed off my angry sunburnt back. The first few minutes were a weird mood combination of "OW my back" and "that was weird..." and "mmm fried chicken".
If anyone wants to take a stab at dream interpretation, have at 'er! I'm especially intrigued to know what Macy Gray's long legs were all about.
I was in a massive cafeteria, such as you might find in a university or a hospital. People everywhere. Me being me, I was hungry, and decided to go to KFC. Yay for no lineups! I get up to the counter, order myself a 10 piece chicken meal, because I have never eaten apparently.
TWIST! I'm short on money. I need two more dollars. That's when random attractive stranger wearing a suit appears and offers to pay the rest. My hero! He's cute too. Shaggy but well controlled dark hair, tall, baby faced. *nom*
We get to chatting (no idea what about) and we decide that he's going to join me for lunch. I have a lot of chicken after all! But then my phone rings and it's Macy Gray who needs me to come get her from the beach. BAD TIMING!!
What I end up doing is I leave the box of chicken with Rando (he never gets a name) and make him promise not to leave the cafeteria. I drive off to the beach, pick up Macy Gray, and drive back. Once we get out of the car she starts walking away, but in my dream she has monstrously long legs, so to keep up I have to run after her. We soon part ways.
I get back into the cafeteria and lo and behold, Rando is not to be found. MAMA NEEDS HIS CHICKEN! Cue entrance of Marie who just appears out of nowhere, and we try to find him. She comes up with the plan that if one of us starts to shout "CHICKEN!?" then he'll know to respond with "CHICKEN!!" and we'll find him. So suddenly there's the two of us yelling "CHICKEN?!" at the top of our lungs, followed by a distant shout of "CHICKEN!!".
Eventually we find him hidden around a corner at a table for him and I, and he has now changed into casual clothes. Marie totally disappears from the dream (sorry luv!) at this point. Your influence will soon be felt again though, don't worry! I suppose we must eat the food and chat, but I don't think any of this took place in my dream because suddenly we're into a musical interlude as if we were in Glee and he's singing a song that in the real world I'm faaaaaairly sure doesn't exist, but in Dream World I was sure was sung by Daughtry (there you are again Marie). I don't know if the song was supposed to be about what he was feeling at the moment or if it was about me, but he was singing and dancing alone in a totally black room doing some inexplicably high kicks while hitting the notes (the best way to descibe his kicks are like when the Cullens are playing baseball in the first Twilight movie, and Alice is pitching. Every time she throws the ball she does this weird kick, and that's what dream guy was doing. Because why not?)
That's where the dream ends, because I rolled over in my sleep and pissed off my angry sunburnt back. The first few minutes were a weird mood combination of "OW my back" and "that was weird..." and "mmm fried chicken".
If anyone wants to take a stab at dream interpretation, have at 'er! I'm especially intrigued to know what Macy Gray's long legs were all about.
Tuesday, July 6, 2010
Well slap my ass and call me Wanda
I just got inordinately excited that there was a new Indigo Girls album out, then quickly realized I'm not a lesbian living in the 90's and the moment passed.
It's the small things...
I just had the distinct pleasure of throwing water at an earwig so as to flush it down the kitchen sink.
What really made the moment special was that as it was slipping through the holes in the drain it seemingly grabbed ahold of the metal edges with it's skittery-awful little legs and clung to it like it was re-enacting a scene from Cliffhanger. As I refilled my mug with water it held on for dear life, trying to pull itself back out and it's frantic misery brought me great pleasure.
It took a couple mugs of water to finally wrench it free of the drain but I got the wiggly bastard. ENJOY YO' SWIM, BITCH!
Furthermore, I discovered a way to make killing earwigs more enjoyable (aka I don't want to huddle in a corner and moan). I pretend I'm a ninja-raptor killer and stalk around the bedroom with my hands full of kleenex. When I find an earwig (not hard to do lately) I give a little raptor-shriek and give it a violent peck with the kleenex glove. Surprisingly satisfying!
...
How I've never been committed to a mental hospital is beyond me.
What really made the moment special was that as it was slipping through the holes in the drain it seemingly grabbed ahold of the metal edges with it's skittery-awful little legs and clung to it like it was re-enacting a scene from Cliffhanger. As I refilled my mug with water it held on for dear life, trying to pull itself back out and it's frantic misery brought me great pleasure.
It took a couple mugs of water to finally wrench it free of the drain but I got the wiggly bastard. ENJOY YO' SWIM, BITCH!
Furthermore, I discovered a way to make killing earwigs more enjoyable (aka I don't want to huddle in a corner and moan). I pretend I'm a ninja-raptor killer and stalk around the bedroom with my hands full of kleenex. When I find an earwig (not hard to do lately) I give a little raptor-shriek and give it a violent peck with the kleenex glove. Surprisingly satisfying!
...
How I've never been committed to a mental hospital is beyond me.
Thursday, May 27, 2010
Five Best TV Shows
Here are my votes for the best shows on tv right now...or not on anymore (WEEP)
1. Lost. Well DUH. What did you expect me to say? If you read this and still this was a surprise to you, you need to just go away. I'm not even gonna go on a spiel about why I love it.
2. Cougar Town- It is SO easy to roll a derisive eye at this. I know, because before it came out I was definitely one of those people who scoffed. A tv show starring the worst 'Friend' about a middleaged woman who lusts after young'uns. Throw in the lady from 'The Drew Carey Show' and her terrifying new face and mix it up with a fairly terrible first episode, and you got yourself a winner! Strangely I stuck with it and thank the baby jesus for that, because no other show makes my laugh hysterically on a consistent basis. Firstly, you have to throw away your expectations because it is NOT about Courtney Cox being a cougar and lusting after the young'uns. That plot is thrown away within the first few episodes. It's become a show that celebrates friendships and family in all it's forms, as well as drinking lots of wine and beer along the way. Umm, YES! Maybe it's because I see a lot of myself and my friends in the characters, but every week I'm like "I want that life!!" And I don't know why she never showed it before, but Courtney Cox is fucking hilarious. It makes me like Monica Geller a little more. Best thing about the show: Busy Phillips, who plays brassy and klassy (yes, with a 'k') Laurie. Part of the joy of watching the show is the hilarious things they say. The other part is watching Laurie's as she reacts to things. Honestly, it makes me re-watch episodes over and over, just to fall over in laughter at her face. Let me say it again: GET OVER YOUR PRECONCEIVED NOTIONS AND WATCH A FEW EPISODES. Best comedy on tv right now, no question. Even better than 30 Rock *sacrilege!* PENNY CAAAAAAAAANNNNNNNNN!
3. Vampire Diaries- STOP ROLLING YOUR EYES! This season was blessed/cursed with shows that it is very easy to form an opinion without ever watching a show (see also: Cougar Town). VD was another one of those, and I admit to mocking it mercilessly before it even came out. Sample thought: "oh gee, ANOTHER teenage drama about wimpy vampires and angst and the sullen girl caught in the midst. PUKE PUKE PUKE". What became very obvious soon after the show began was that it is a decidedly grown up and unstereotypical show. Every character is exceedingly well created and people you would expect to be one way (ie. Caroline, the pretty, blonde, Queen Bee personality) surprise you by surmounting their 'type' to become genuinely interesting. Some take a little longer than others (ie. Jeremy, the sad, broody brother), but give it time. There isn't a weak link among the bunch. In terms of storytelling, VD is probably the most successful at propelling it's main story from week to week, introducing and solving mysteries, building suspense, taking big twists, creating conflicts, etc. I can't think of another show (nope, not even Lost *SACRILEGE!*) that so efficiently tells it's story and holds my interest from week to week. My investment into the ultimate story of Lost was fostered over the course of several seasons, whereas with VD it has come about within it's very first. Impressive stuff! BOTTOM LINE: get over your initial smug, 'oh yay, another teen vampire drama' inclination and you'll be happily surprised.
4. Modern Family- Another comedy! Another show in it's first season! I must be easily impressed by new things. (yeah, pretty much) I have to say, it IS easier to get into this show than Cougar Town or Vampire Diaries, if only because it doesn't create the initial kneejerk reaction of "LAAAAAAAAME". MF is another one of those shows that makes me pretty near wet myself with laughter every time, but in a different way than Cougar Town. It's difficult to say why that is... I'm tempted to call it 'intelligent humour', but that isn't to say that CT isn't intelligent. I guess it's like comparing 'Frasier' to 'Friends', where MF is the Frasier and CT is the Friends. Both funny, well written, with a solid cast of characters, but people always look at "Frasier" as being the more 'highbrow' or the two. MF really is, at it's heart, about family. Three different versions, all related, all with their different idiosyncracies and stories. The gay dads raising their adopted baby, the old man and his younger wife, and the classically 'nuclear family'. All of them are BONKERS :p It's a rare show that can both tickle your funny bone and warm your darkened little heart, and MF does that pretty much every week.
5. I need time to think about this one. I have two shows are are fighting for the title, and I need to carefully consider and pick just one. One is a comedy, one is a drama. WHICH WILL WIN!? tbc
1. Lost. Well DUH. What did you expect me to say? If you read this and still this was a surprise to you, you need to just go away. I'm not even gonna go on a spiel about why I love it.
2. Cougar Town- It is SO easy to roll a derisive eye at this. I know, because before it came out I was definitely one of those people who scoffed. A tv show starring the worst 'Friend' about a middleaged woman who lusts after young'uns. Throw in the lady from 'The Drew Carey Show' and her terrifying new face and mix it up with a fairly terrible first episode, and you got yourself a winner! Strangely I stuck with it and thank the baby jesus for that, because no other show makes my laugh hysterically on a consistent basis. Firstly, you have to throw away your expectations because it is NOT about Courtney Cox being a cougar and lusting after the young'uns. That plot is thrown away within the first few episodes. It's become a show that celebrates friendships and family in all it's forms, as well as drinking lots of wine and beer along the way. Umm, YES! Maybe it's because I see a lot of myself and my friends in the characters, but every week I'm like "I want that life!!" And I don't know why she never showed it before, but Courtney Cox is fucking hilarious. It makes me like Monica Geller a little more. Best thing about the show: Busy Phillips, who plays brassy and klassy (yes, with a 'k') Laurie. Part of the joy of watching the show is the hilarious things they say. The other part is watching Laurie's as she reacts to things. Honestly, it makes me re-watch episodes over and over, just to fall over in laughter at her face. Let me say it again: GET OVER YOUR PRECONCEIVED NOTIONS AND WATCH A FEW EPISODES. Best comedy on tv right now, no question. Even better than 30 Rock *sacrilege!* PENNY CAAAAAAAAANNNNNNNNN!
3. Vampire Diaries- STOP ROLLING YOUR EYES! This season was blessed/cursed with shows that it is very easy to form an opinion without ever watching a show (see also: Cougar Town). VD was another one of those, and I admit to mocking it mercilessly before it even came out. Sample thought: "oh gee, ANOTHER teenage drama about wimpy vampires and angst and the sullen girl caught in the midst. PUKE PUKE PUKE". What became very obvious soon after the show began was that it is a decidedly grown up and unstereotypical show. Every character is exceedingly well created and people you would expect to be one way (ie. Caroline, the pretty, blonde, Queen Bee personality) surprise you by surmounting their 'type' to become genuinely interesting. Some take a little longer than others (ie. Jeremy, the sad, broody brother), but give it time. There isn't a weak link among the bunch. In terms of storytelling, VD is probably the most successful at propelling it's main story from week to week, introducing and solving mysteries, building suspense, taking big twists, creating conflicts, etc. I can't think of another show (nope, not even Lost *SACRILEGE!*) that so efficiently tells it's story and holds my interest from week to week. My investment into the ultimate story of Lost was fostered over the course of several seasons, whereas with VD it has come about within it's very first. Impressive stuff! BOTTOM LINE: get over your initial smug, 'oh yay, another teen vampire drama' inclination and you'll be happily surprised.
4. Modern Family- Another comedy! Another show in it's first season! I must be easily impressed by new things. (yeah, pretty much) I have to say, it IS easier to get into this show than Cougar Town or Vampire Diaries, if only because it doesn't create the initial kneejerk reaction of "LAAAAAAAAME". MF is another one of those shows that makes me pretty near wet myself with laughter every time, but in a different way than Cougar Town. It's difficult to say why that is... I'm tempted to call it 'intelligent humour', but that isn't to say that CT isn't intelligent. I guess it's like comparing 'Frasier' to 'Friends', where MF is the Frasier and CT is the Friends. Both funny, well written, with a solid cast of characters, but people always look at "Frasier" as being the more 'highbrow' or the two. MF really is, at it's heart, about family. Three different versions, all related, all with their different idiosyncracies and stories. The gay dads raising their adopted baby, the old man and his younger wife, and the classically 'nuclear family'. All of them are BONKERS :p It's a rare show that can both tickle your funny bone and warm your darkened little heart, and MF does that pretty much every week.
5. I need time to think about this one. I have two shows are are fighting for the title, and I need to carefully consider and pick just one. One is a comedy, one is a drama. WHICH WILL WIN!? tbc
Wednesday, May 19, 2010
In the lead up to the finale...
...of Lost, of course!
I've noticed a common thread amongst critics who are reviewing the more recent episodes of Lost. A sentence or phrase that keeps popping up with alarming consistency is "I will be so disappointed if 'insert mystery here' isn't answered by the finale".
Now, I am a card carrying, "I'm A Candidate" t-shirt wearing, blog updating, friend aggravating, theory espousing fan of Lost. (I will pause a moment for you to say "well DUH"). But am I going into the finale with my list of theories that MUST BE ANSWERED OR ELSE I GET HULK-SMASHY? Hell no. The minute I do that, I set myself up to be let down.
I think too many people are heading into sunday's finale with this sense of "alright Lost, I've stuck with you for six years. I forgave you Nikki & Paolo. I acted like I cared about Jack's tattoos. I didn't leave you when you killed Libby/Juliet/Jin/Sun (ok, mostly Sun and notsomuch Jin). YOU OWE ME!". Lost doesn't owe us anything except for to finish telling the story it was always meant to. Oh sure, there are a great many things that I would like to get addressed and/or answered. But will I revolt if they aren't? No.
A review I was reading made a very good point about last week's episode, "Across The Sea", which by all accounts has caused many a Lostie to throw their arms up in disappointment and say a very loud "wtf?!". The author made the point that the episode had the effect of re-focusing our attentions on the themes and motives that REALLY matter to Lost. We've gotten so distracted by things like "What happened to Ben's childhood friend Annie?? Why were the Others building an airplane runway?? What about the Hurleybird??" that we forget the most important question raised by the show: "what is the Island and what do the Losties have to do with it? And what is going to happen to our beloved Losties?" "Across The Sea" very plainly set in motion what is necessary to have those questions answered, so yay for it.
We get so caught up in the little finicky details of the show that it gets difficult to seperate our own vested interest from the ultimate story that Lost is trying to tell. We need to catch our breaths, sit back and let it all unfold as the writers want it to. And frankly, from day one this has been a show that heavily uses ambiguity to pepper it's story. Why shouldn't it end on the same note?
I say, by the time the show is done on sunday night and I have composed myself into a somewhat manageable human-shaped ball of mess, whatever questions remain unanswered are just fodder to keep my brain occupied for who knows how long, gleefully theorizing away.
That being said, if Rose, Bernard or Vincent don't show up in the finale, I'm going to be SO disappointed.
I've noticed a common thread amongst critics who are reviewing the more recent episodes of Lost. A sentence or phrase that keeps popping up with alarming consistency is "I will be so disappointed if 'insert mystery here' isn't answered by the finale".
Now, I am a card carrying, "I'm A Candidate" t-shirt wearing, blog updating, friend aggravating, theory espousing fan of Lost. (I will pause a moment for you to say "well DUH"). But am I going into the finale with my list of theories that MUST BE ANSWERED OR ELSE I GET HULK-SMASHY? Hell no. The minute I do that, I set myself up to be let down.
I think too many people are heading into sunday's finale with this sense of "alright Lost, I've stuck with you for six years. I forgave you Nikki & Paolo. I acted like I cared about Jack's tattoos. I didn't leave you when you killed Libby/Juliet/Jin/Sun (ok, mostly Sun and notsomuch Jin). YOU OWE ME!". Lost doesn't owe us anything except for to finish telling the story it was always meant to. Oh sure, there are a great many things that I would like to get addressed and/or answered. But will I revolt if they aren't? No.
A review I was reading made a very good point about last week's episode, "Across The Sea", which by all accounts has caused many a Lostie to throw their arms up in disappointment and say a very loud "wtf?!". The author made the point that the episode had the effect of re-focusing our attentions on the themes and motives that REALLY matter to Lost. We've gotten so distracted by things like "What happened to Ben's childhood friend Annie?? Why were the Others building an airplane runway?? What about the Hurleybird??" that we forget the most important question raised by the show: "what is the Island and what do the Losties have to do with it? And what is going to happen to our beloved Losties?" "Across The Sea" very plainly set in motion what is necessary to have those questions answered, so yay for it.
We get so caught up in the little finicky details of the show that it gets difficult to seperate our own vested interest from the ultimate story that Lost is trying to tell. We need to catch our breaths, sit back and let it all unfold as the writers want it to. And frankly, from day one this has been a show that heavily uses ambiguity to pepper it's story. Why shouldn't it end on the same note?
I say, by the time the show is done on sunday night and I have composed myself into a somewhat manageable human-shaped ball of mess, whatever questions remain unanswered are just fodder to keep my brain occupied for who knows how long, gleefully theorizing away.
That being said, if Rose, Bernard or Vincent don't show up in the finale, I'm going to be SO disappointed.
Thursday, May 6, 2010
In Memoriam
Let us please take a moment to remember fondly Jin & Sun, now deceased.
...
*got the sads*
I shake my fist at you Lost.
...
*got the sads*
I shake my fist at you Lost.
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